{"id":45,"date":"2019-10-27T20:37:21","date_gmt":"2019-10-27T20:37:21","guid":{"rendered":"https:\/\/nonnativewarpaint.wordpress.com\/?page_id=45"},"modified":"2019-12-20T22:10:52","modified_gmt":"2019-12-20T22:10:52","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<h2>Films, Television, and Video Games<\/h2>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Albrecht, Maciek. <em>John, Paul, George, &amp; Ben<\/em>. Weston Woods Studios, 2007.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Eyre, Chris. <em>Smoke Signals<\/em>. Miramax, 1998.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Bourgoujian, Lisa, dir. <em>The American Revolution<\/em>. Season 1, episode 4, \u201cThe World at War.\u201d Aired November 28, 1994, on A&amp;E Television Networks.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Burns, Chad. <em>Beyond the Mask<\/em>. Burns Family Studios, 2015.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Cook, Fielder. <em>Valley Forge<\/em>. Clarion Productions, 1975.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Dr\u00e9ville, Jean. <em>Lafayette<\/em>. Les Films Copernic, 1963.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Emmerich, Roland. <em>The Patriot<\/em>. Columbia Pictures, 2000.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Farrow, John. <em>John Paul Jones<\/em>. Samuel Bronston Productions, 1959.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Ford, John. <em>Drums Along the Mohawk<\/em>. Beverly Hills, CA: 20th Century Fox, 1939.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Francisco, William. <em>American Revolution: The Impossible War<\/em>. Robert Saudek Associates, 1972.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Gayle, Peter and Harve Bennett. <em>The Young Rebels<\/em>. Screen Gems Television, 1970-1971.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Graham, William A. <em>George Washington II: The Forging of a Nation<\/em>. MGM\/UA Television, 1986.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Griffith, David Wark. <em>America, or, Love and Sacrifice<\/em>. 1924<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hamilton, Guy. <em>The Devil\u2019s Disciple<\/em>. Hill-Hecht-Lancaster Productions, 1959.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Harmon, Robert. <em>The Crossing<\/em>. A&amp;E Networks, 2000.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hayers, Sidney. <em>The Seekers<\/em>. Universal Television, 1979.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hershberger, Kevin R. <em>Legends and Lies: The Patriots<\/em>. Life of O\u2019Reilly Productions, 2016<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hershberger, Kevin R. <em>Yorktown: Battle for Victory<\/em>. LionHeart Filmworks, 2007.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hershberger, Kevin R. <em>Von Steuben\u2019s Continentals: The First American Army<\/em>. LionHeart Filmworks, 2007.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hooper, Tom. <em>John Adams<\/em>. HBO Films, 2008.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hudson, Hugh. <em>Revolution<\/em>. Goldcrest Films International, 1985.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hunt, Peter H. <em>1776<\/em>. Columbia Pictures, 1972.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hurwitz, Tom. <em>Something More at Stake: Saratoga<\/em>. United States National Park Service, 2002.<\/p>\n<p>Hutchinson, Alex.&nbsp;<em>Assassin&#8217;s Creed III<\/em>. Montreal, Canada: Ubisoft, 2012.<\/p>\n<p>Hutchinson, Alex.&nbsp;<em>Assassin&#8217;s Creed III: Remastered<\/em>. Montreal, Canada: Ubisoft, 2019.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Ingvordsen, J. Christian. <em>The Little Patriot: Sign of the Otter<\/em>. Shapiro-Glickenhaus Entertainment, 1995.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Keller, Harry. <em>The Swamp Fox<\/em>. Walt Disney Productions, 1959.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Kulik, Buzz. <em>George Washington<\/em>. MGM\/UA Television, 1984.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Lee H. Katzin. <em>The Bastard<\/em>. Universal Television, 1978.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Liebman, Max. <em>Dearest Enemy<\/em>. Video Artists International, 1955, re-released 2012.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Lindstrom, Peter, producer. <em>Biography<\/em>. \u201cBenedict Arnold: Triumph and Treason.\u201d A&amp;E Networks, 1995.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Lloyd, Frank. <em>The Howards of Virginia<\/em>. Columbia Pictures, 1940.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Malanowski, Tony. <em>The Battle of Bunker Hill<\/em>. Bridgestone Multimedia Group, 2009.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Maliani, Michael, Kevin O\u2019Donnell, and Andy Heyward. <em>Liberty\u2019s Kids: Established 1776<\/em>. DIC Entertainment, 2002-2003.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Mann, Delbert. <em>April Morning<\/em>. Hallmark Hall of Fame Productions, 1988.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Mayberry, Russ. <em>The Rebels<\/em>. Universal Television, 1979.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Roberts, Paul Tait. <em>Liberty or Death<\/em>. Community Idea Stations, 2007.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Salomon, Mikael. <em>Benedict Arnold: A Question of Honor<\/em>. A&amp;E Networks, 2003.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Silverstein, Craig. <em>Turn: Washington\u2019s Spies<\/em>. AMC Studios, 2014-2017.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Skogland, Kari. <em>Sons of Liberty<\/em>. A&amp;E Studios, 2015.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Stevenson, Robert. <em>Johnny Tremain<\/em>. Walt Disney Productions, 1957.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Sturges, John. <em>The Scarlet Coat<\/em>. Metro-Goldwyn-Mayer, 1955.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Surjik, Stephen. <em>Mary Silliman\u2019s War<\/em>. Citadel Films, 1994.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Weatherhead, Chris. <em>All for Liberty<\/em>. Coral Gate Media, 2009.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Wise, Robert M. <em>Washington the Warrior<\/em>. The History Channel, 2006.<\/p>\n<h2>Books and Articles<\/h2>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Agresta, Michael. \u201cHow the Western Was Lost (and Why It Matters).\u201d <em>The Atlantic<\/em>, Culture section, July 24th, 2013. https:\/\/www.theatlantic.com\/entertainment\/archive\/2013\/07\/how-the-western-was-lost-and-why-it-matters\/278057\/<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Aleiss, Angela. <em>Making the White Man\u2019s Indian: Native Americans and Hollywood Movies<\/em>. Praeger: Westport, Connecticut, 2005.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Andrews, Thomas and Flannery Burke. &#8220;What does it Mean to Think Historically?&#8221;&nbsp;<em>Perspectives on History<\/em> (January 1, 2007). https:\/\/www.historians.org\/publications-and-directories\/perspectives-on-history\/january-2007\/what-does-it-mean-to-think-historically<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Baird, Robert. \u201cIndian Leaders.\u201d In <em>The Columbia Companion to American History on Film: How the Movies Portrayed the American Past<\/em>, edited by Peter C. Rollins, 161-8. New York: Columbia University Press, 2003.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Berger, Wade and Patrick Staley. \u201cAssassin\u2019s Creed III: The Complete Unofficial Guide, a Teacher\u2019s Limited Edition.\u201d <em>Well Played: a journal on video games, value and meaning<\/em> 3 no. 1 (2014): 1-10. https:\/\/kilthub.cmu.edu\/ndownloader\/files\/12212936#page=10<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Berkhofer, Jr., Robert F. <em>The White Man\u2019s Indian: Images of the American Indian from Columbus to the Present<\/em>. New York: Knopf, 1978.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Bird, S. Elizabeth, editor. <em>Dressing in Feathers: The Construction of the Indian in American Popular Culture<\/em>. Boulder, Colorado: Westview Press, 1996.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Blyth, Jon. \u201cAssassin\u2019s Creed 3 hands-on: three hours as a mass-murdering Mohawk town-planner,\u201d <em>Official Xbox Magazine UK<\/em>, October 27, 2012, accessed August 1, 2019 on the Internet Archive, https:\/\/web.archive.org\/web\/20121228222928\/http:\/\/www.oxm.co.uk\/47062\/previews\/assassins-creed-3-hands-on-three-hours-as-a-mass-murdering-mohawk-town-planner\/<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Boutonnet, Vincent. \u201cHistorical Agency and Videogame Play: A Case Study of Assassin\u2019s Creed 3.\u201d In <em>E-teaching History<\/em>, edited by Joanna Wojdon, 115-133. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2016.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Calloway, Colin G. <em>The American Revolution in Indian Country: Crisis and Diversity in Native American Communities<\/em>. Cambridge: Cambridge University Press, 1995.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Chapman, Adam. <em>Digital Games as History: How Videogames Represent the Past and Offer Access to Historical Practice<\/em>. New York: Routledge, 2016.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Clark, Cedric. &#8220;Television and social controls: Some observations on the portrayals of ethnic minorities.&#8221; <em>Television Quarterly<\/em> 8, no. 2 (1969): 18-22.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Dunbar-Ortiz, Roxanne. <em>An Indigenous Peoples\u2019 History of the United States<\/em>. Boston: Beacon Press, 2014.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">FitzGerald, Michael Ray. <em>Native Americans on Network TV: Stereotypes, Myths, and the \u201cGood Indian.\u201d<\/em> New York: Rowman and Littlefield Publishers, 2013.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Frum, Larry. \u201cAmerican history unfolds in \u2018Assassin\u2019s Creed 3.\u2019\u201d <em>CNN Business<\/em>, October 19, 2012. https:\/\/www.cnn.com\/2012\/10\/19\/tech\/gaming-gadgets\/assassins-creed-3-history\/index.html.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hilger, Michael. <em>The American Indian in Film<\/em>. Metuchen, New Jersey: The Scarecrow Press, Inc., 1986.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hittman, Michael and Don Lynch. <em>Wovoka and the Ghost Dance<\/em>. Lincoln, Nebraska: University of Nebraska Press, 1997.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Hunter, Chad. \u201cThe 15 Most Stereotypical Characters in Video Games.\u201d <em>Complex<\/em>, May 9, 2012, accessed November 25, 2019. https:\/\/www.complex.com\/pop-culture\/2012\/05\/the-15-most-stereotypical-characters-in-video-games\/.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Glatthaar, Joseph T., and James Kirby Martin. <em>Forgotten Allies: The Oneida Indians and the American Revolution<\/em>. New York: Hill and Wang, 2006.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Graymont, Barbara. <em>The Iroquois in the American Revolution<\/em>. New York: Syracuse University Press, 1972.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Jennings, Francis P., editor. \u201cThe American Indian and the American Revolution: Papers written for a conference of the Newberry Library Center for the History of the American Indian, 21-22 February 1975,\u201d Chicago: Newberry Library, 1983.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Kapell, Matthew Wilhelm and Andrew R. R. Elliott, editors. <em>Playing with the Past: Digital Games and the Simulation of History<\/em>. New York: Bloomsbury, 2013.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Marubbio, M. Elise. <em>Killing the Indian Maiden: Images of Native American Women in Film<\/em>. Lexington, Kentucky: University Press of Kentucky, 2006.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">McCall, Jeremiah B. <em>Gaming the Past: Using Video Games to Teach Secondary History<\/em>. New York: Routledge, 2011.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Minor, Jordan. \u201c\u2018Assassin\u2019s Creed III\u2019 Is Still the \u2018Hamilton\u2019 of Video Games.\u201d G<em>eek<\/em>, May 30, 2019. https:\/\/www.geek.com\/games\/assassins-creed-iii-is-still-the-hamilton-of-video-games-1789103\/<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Phillips, Tom. \u201cUbisoft surveys public on future Assassin\u2019s Creed locations.\u201d <em>Eurogamer<\/em>, November 28, 2011. https:\/\/www.eurogamer.net\/articles\/2011-11-28-ubisoft-survey-public-on-future-assassins-creed-locations<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Raphael, Ray. <em>A People\u2019s History of the American Revolution<\/em>. New York: Perennial, 2002.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Rhoden, Nancy. \u201cPatriots, Villains, and the Quest for Liberty: How American Film has Depicted the American Revolution.\u201d <em>Canadian Review of American Studies<\/em> 37, no. 2 (2007): 205-238.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Richter, Daniel K. <em>Facing East from Indian Country: A Native History of Early America<\/em>. Cambridge, Harvard UP, 2001.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Rubin, Jeff and Owen Parsons. \u201cThe Dorklyst: The 7 Most Stereotypical Native American Characters in Fighting Game History.\u201d <em>Dorkly<\/em>, May 12, 2011. http:\/\/www.dorkly.com\/post\/15651\/the-7-most-stereotypical-native-americans-in-fighting-game-history\/page:3<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Sadosky, Leonard J. <em>Revolutionary Negotiations: Indians, Empires, and Diplomats in the Founding of America<\/em>. Charlottesville: University of Virginia Press, 2009.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Seiler, Cotton. \u201cThe American Revolution.\u201d In <em>The Columbia Companion to American History on Film: How the Movies Portrayed the American Past<\/em>, edited by Peter C. Rollins, 49-57. New York: Columbia University Press, 2003.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Shaw, Adrienne. \u201cThe Tyranny of Realism.\u201d <em>Loading&#8230; The Journal of the Canadian Game Studies Association<\/em> 9, no. 14 (2015): 4-24. Accessed October 4, 2019. http:\/\/journals.sfu.ca\/loading\/index.php\/loading\/article\/view\/157<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Sheehan, Bernard W. \u201c\u2019The Famous Hair Buyer General\u2019: Henry Hamilton, George Rogers Clark, and the American Indian.\u201d <em>Indiana Magazine of History<\/em> 79, no. 1 (1983): 1-28.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Singer, Beverly R. <em>Wiping the War Paint off the Lens: Native American Film and Video<\/em>. Minneapolis: University of Minnesota Press, 2001.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Totilo, Stephen. \u201cThe Controversial Assassin\u2019s Creed III Is More Impressive in 2019.\u201d <em>Kotaku<\/em>, March 29, 2019. https:\/\/kotaku.com\/the-controversial-assassin-s-creed-iii-is-more-impressi-1833676354<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Venables, Michael. \u201cThe Awesome Mohawk Teacher and Consultant Behind Ratonhnhak\u00e9:ton.\u201d <em>Forbes<\/em>. November 25, 2012. https:\/\/www.forbes.com\/sites\/michaelvenables\/2012\/11\/25\/the-consultants-behind-ratonhnhaketon\/.<\/p>\n<p style=\"margin-left:.5in;text-indent:-.5in\">Zinn, Howard. <em>A People\u2019s History of the United States<\/em>. New York: Harper &amp; Row, 1980.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Films, Television, and Video Games Albrecht, Maciek. John, Paul, George, &amp; Ben. Weston Woods Studios, 2007. Eyre, Chris. Smoke Signals. Miramax, 1998. Bourgoujian, Lisa, dir. The American Revolution. Season 1, episode 4, \u201cThe World at War.\u201d Aired November 28, 1994, on A&amp;E Television Networks. Burns, Chad. Beyond the Mask. Burns Family Studios, 2015. Cook, Fielder. [&hellip;]<\/p>\n","protected":false},"author":77,"featured_media":94,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/pages\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/users\/77"}],"replies":[{"embeddable":true,"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":0,"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/pages\/45\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/media\/94"}],"wp:attachment":[{"href":"https:\/\/microsites.csusm.edu\/nonnativewarpaint\/wp-json\/wp\/v2\/media?parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}